This is my methodology-in-progress for my research project:
Out of a research framework consisting in Southern Studies, Masculinity, and Feminist interpretations of Noir literature, I will then
construct a reading of various key points in All the King’s Men, paying initial attention to Burden and Stark’s
first meeting and the nihilistic ennui that consumes Burden before Willie Stark
consolidates Burden into his fascist ranks.
Similarly, I will evaluate this paternalist relationship and set it
against the other model’s of masculinity (typically paternal) Burden has
available, paying keen attention to Judge Irwin, Adam Stanton, and Willie
Stark, and how they each contrast to the persona projected by Burden’s
narration. From there I will move to the
first mentions of a few, key women who appear in the book: Sadie Burke,
Burden’s mother, and Anne Stanton, as I tie together the imperatives driving
the style and content of Burden’s narration and how these imperatives render
the narration a recognizably masculine performance though he has fails
throughout the novel to achieve an active masculinity like Willie Stark, Adam
Stanton, or Judge Irwin, ensnared as he is in this “Reflective Masochistic”
state.
Some further considerations...
Beyond these evaluations and
investigations, my research project might be used to stage a larger assertion
that grounds “Reflexive Masochism” as a prerequisite condition to many of the
first person, white, male narrators of noir literature and cinema. Also, this research might go a long way into
further informing gender performance as a key element to any first person
narration in terms Narrative Theory.
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